Demystifying Constructive Criticism
Enhancing The Actor/Playwright Dialogue
Topics to be Conversed:
What is your utopian relationship between a playwright and an actor?
What critiquing techniques have you used when working on new works? (i.e Liz Lerman)
Playwrights: What are the questions you love to get from actors?
Actors: What are the questions you love to get from playwrights?
Playwrights: What are the behaviors from actors that are pet peeves?
Actors: What are the behaviors that define a playwright as difficult?
Playwrights: Is it appropriate for actors to give line suggestions, alterations to scene, suggestions for plot? If so, when? If not, why not?
Actors: Is it appropriate for a playwright to help with line readings, character help, scene misinterpretation? If so, what is best way to help?
Playwrights: When getting feedback (questions, comments, criticism) what are the most helpful ways to phrase that feedback?
Actors: When being asked for feedback from a playwright, how should they phrase their questions to get the actor’s POV ?
All: What tips, skills, tricks do you use to not take feedback personally?
Let’s Talk The PGE Play Analysis Questionnaire.
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